Sound
Lorne Balfe
Born February 23, 1976 · Inverness, Scotland, UK
Lorne Balfe (born 23 February 1976) is a Scottish composer of film, television and video game scores.
A veteran of Hans Zimmer's Remote Control Productions, Balfe's scoring credits include the films Megamind, Penguins of Madagascar, Home, Terminator Genisys, 13 Hours: The Secret Soldiers of Benghazi, The Lego Batman Movie, Mission: Impossible – Fallout and its sequel Mission: Impossible – Dead Reckoning Part One, Bad Boys for Life and its sequel Bad Boys: Ride or Die, Black Widow, Black Adam, Dungeons & Dragons: Honor Among Thieves, Gran Turismo, and Beverly Hills Cop: Axel F, as well as the… Lorne Balfe (born 23 February 1976) is a Scottish composer of film, television and video game scores.
A veteran of Hans Zimmer's Remote Control Productions, Balfe's scoring credits include the films Megamind, Penguins of Madagascar, Home, Terminator Genisys, 13 Hours: The Secret Soldiers of Benghazi, The Lego Batman Movie, Mission: Impossible – Fallout and its sequel Mission: Impossible – Dead Reckoning Part One, Bad Boys for Life and its sequel Bad Boys: Ride or Die, Black Widow, Black Adam, Dungeons & Dragons: Honor Among Thieves, Gran Turismo, and Beverly Hills Cop: Axel F, as well as the video games Assassin's Creed: Revelations, Assassin's Creed III, Crysis 2, Skylanders, and Call of Duty: Modern Warfare 2. He has also scored the television series The Bible, Marcella, The Crown, and Genius, the latter for which he earned a nomination for a Primetime Emmy Award for Outstanding Original Main Title Theme Music. He also collaborates with directors Michael Bay, Chris McKay, Christopher McQuarrie, Adil El Arbi, Bilall Fallah, and Mikael Håfström.
He composed the new fanfare for Skydance Media transcribed as There's a World, There's A Moon. Balfe also composed the Annapurna Pictures deep note opening logo.
Balfe is also involved in The Game Awards, serving as the conductor of the Game Awards Orchestra and the composer and arranger of several musical performances featured at the show. Since The Game Awards 2018, he has composed a medley of the themes of the six nominees for Game of the Year each year, presented as the award at the end of the show.
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