Acting
Kyla Brown
· Portland, Oregon, USA
Kyla’s most notable on-camera credits include Lazareth (2024), directed by Alec Tibaldi; Dead Deer High (2026), directed by Jo Rochelle; and All Over Everywhere (2023), directed by Katie O’Grady.
She began acting and modeling at just six years old, discovering by age twelve that performance was not only an interest but a true passion. From that point forward, acting became a central focus, shaping both her artistic and personal development.
Over the years, she has trained with several theater groups and acting programs, most consistently with Acting for Kids and Teens at The Studio NW. There… Kyla’s most notable on-camera credits include Lazareth (2024), directed by Alec Tibaldi; Dead Deer High (2026), directed by Jo Rochelle; and All Over Everywhere (2023), directed by Katie O’Grady.
She began acting and modeling at just six years old, discovering by age twelve that performance was not only an interest but a true passion. From that point forward, acting became a central focus, shaping both her artistic and personal development.
Over the years, she has trained with several theater groups and acting programs, most consistently with Acting for Kids and Teens at The Studio NW. There, she studied under Katie O’Grady and Aaron Fitzgerald, building a strong foundation in craft and developing a philosophy rooted in discipline, curiosity, and emotional truth.
Additional recent work includes Chet (2026), directed by Cameron Browne; Via Negativa, directed by Hannah Peterson; Motives, directed by Jon Garcia; and the stage production The Revolutionists, directed by Claire Verity, further showcasing her range across both screen and theater.
Currently enrolled in the Cinema Studies program at the University of Oregon, she brings an academic understanding of film to complement her practical experience. Trilingual in English, Spanish, and French, Kyla is passionate about travel and immersing herself in new cultures — experiences that continually inform and enrich her work as an actor.More
