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Directing
Mohan Niyaz
Born July 27, 1965 · Kandy, British Ceylon (now Sri Lanka)
Mohan Niyaz (born Seiyad Lebbe Mohammed Niyaz) is an acclaimed Sri Lankan film director, screenwriter, producer, and Attorney-at-Law, whose career spans over three decades. Raised in Peradeniya, Kandy, Niyaz was an introspective youth deeply influenced by the cinematic grammar of Alfred Hitchcock and Ritwik Ghatak. While studying law at the University of Peradeniya, his lifelong obsession with celluloid led him to shoot his first 35mm short film at just 18 years old.
Niyaz broke into the national consciousness at age 21 with the massive television success of Man Nathi Da (starring Jayalath Ma… Mohan Niyaz (born Seiyad Lebbe Mohammed Niyaz) is an acclaimed Sri Lankan film director, screenwriter, producer, and Attorney-at-Law, whose career spans over three decades. Raised in Peradeniya, Kandy, Niyaz was an introspective youth deeply influenced by the cinematic grammar of Alfred Hitchcock and Ritwik Ghatak. While studying law at the University of Peradeniya, his lifelong obsession with celluloid led him to shoot his first 35mm short film at just 18 years old.
Niyaz broke into the national consciousness at age 21 with the massive television success of Man Nathi Da (starring Jayalath Manorathne). He consolidated his reputation as a visionary storyteller by tackling serious, contemporary themes across major teledramas, including Sihina Issawa, Unmadha Rathriya, and Sri Lanka's first English-language teledrama, Silk and Sapphire. His 2005 breakthrough hit Sihinayak Pata Patin, which adapted a popular 1970s picture story infused with his personal university experiences, became the most-watched teledrama of the year.
In cinema, Niyaz made an unforgettable directorial debut with the blockbuster Yasoma (1997), which ran in theaters island-wide for over 100 days. He quickly became a pioneering figure in cross-cultural and genre cinema. His 1997 English-language period drama Blendings, a joint British-Sri Lankan venture set in the late-1800s plantation era, screened globally at the 49th Cairo International Film Festival and the Long Beach International Film Festival, ultimately winning the Special Jury Award at the Asian Film Center's Critics Film Festival.
Throughout the late 90s and 2000s, Niyaz wrote and directed distinct, character-driven projects under his production banner, Cinemangani Films. These included the R-rated political thriller Sanda Yahanata (2000), the international festival romance Kalu Sudu Mal (2002), and the vibrant musical Eka Malaka Pethi (2005). In 2014, he pushed artistic boundaries yet again by releasing Api Marenne Na, widely recognized as Sri Lanka’s first genuine black comedy feature.
Fulfilling a lifelong dream inspired by his roots in the hill country, Niyaz helmed the grand historical epic Sri Wickrama (2023), a high-budget production chronicling the final king of Sri Lanka that featured some of the largest cinematic sets in the country's history. He followed this scale in 2024 with the action-romance-comedy Bambara Wasanthe. Known for his visual ambition, thematic versatility, and humanist lens, Mohan Niyaz remains one of Sri Lanka’s most distinct and enduring cinematic voices.
