What does a desperate mayor of culture do when he is handed a stack of millions with instructions to make it a success? What does a cultural city consultant do when he thinks all projects are equally good, and ends up spending all the money without anyone getting anything? What does a rejected artist do when he wants to create a cultural city wall? What does an alternative artist group do when they think it's all petty bourgeois crap?
Søren Pilmark
Klosterstad
